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Jean Cocteau in 1923 Born Jean Maurice Eugène Clément Cocteau 1889-07-05 5 July 1889 , France Died 11 October 1963 1963-10-11 aged 74 , France Cause of death Other names The Frivolous Prince Occupation Novelist, poet, artist, filmmaker Years active 1908—1963 Partner s 1937—1963 Website Signature Jean Maurice Eugène Clément Cocteau French: ; 5 July 1889 — 11 October 1963 was a French poet, writer, designer, playwright, artist and filmmaker. Cocteau is best known for his novel 1929 , and the films 1930 , 1948 , 1946 and 1949. Cocteau was born in , , a town near , to Georges Cocteau and his wife, Eugénie Lecomte; a socially prominent Parisian family. His father was a lawyer and amateur painter who committed suicide when Cocteau was nine. From 1900—1904, Cocteau attended the where he met and began a physical relationship with schoolmate Pierre Dargelos who would later reappear throughout Cocteau's oeuvre. He left home at fifteen. He published his first volume of poems, Aladdin's Lamp, at nineteen. Cocteau soon became known in artistic circles as The Frivolous Prince, the title of a volume he published at twenty-two. In 1912, he collaborated with on for the ; the principal dancers being and. During Cocteau served in the as an ambulance driver. This was the period in which he met the poet , artists and , and numerous other writers and artists with whom he later collaborated. Russian impresario persuaded Cocteau to write a scenario for a ballet, which resulted in in 1917. It was produced by , with sets by Picasso, the by Apollinaire and the music by. The piece was later expanded into a full opera, with music by Satie, and. An important exponent of , Cocteau had great influence on the work of others, including a group of composers known as. In the early twenties, he and other members of Les six frequented a wildly popular bar named , a name that Cocteau himself had a hand in picking. The popularity was due in no small measure to the presence of Cocteau and his friends. They collaborated extensively, socialized, and undertook many journeys and vacations together. Cocteau also got Radiguet exempted from military service. Some contemporaries and later commentators thought there might have been a romantic component to their friendship. Cocteau himself was aware of this perception, and worked earnestly to dispel the notion that their relationship was sexual in nature. There is disagreement over Cocteau's reaction to Radiguet's sudden death in 1923, with some claiming that it left him stunned, despondent and prey to addiction. Opponents of that interpretation point out that he did not attend the funeral he generally did not attend funerals and immediately left Paris with Diaghilev for a performance of The Wedding by the at. Cocteau's opium use and his efforts to stop profoundly changed his literary style. His most notable book, , was written in a week during a strenuous weaning. In , he recounts the experience of his recovery from opium addiction in 1929. His account, which includes vivid pen-and-ink illustrations, alternates between his moment-to-moment experiences of drug withdrawal and his current thoughts about people and events in his world. Cocteau was supported throughout his recovery by his friend and correspondent, Catholic philosopher. Under Maritain's influence Cocteau made a temporary return to the sacraments of the Catholic Church. He again returned to the Church later in life and undertook a number of religious art projects. Cocteau's experiments with the human voice peaked with his play. The story involves one woman on stage speaking on the telephone with her invisible and inaudible departing lover, who is leaving her to marry another woman. La Voix humaine was written, in effect, as an extravagant aria for Madame. Before came , later turned into one of his more successful films; after came , arguably his most fully realized work of art. La Voix humaine is deceptively simple — a woman alone on stage for almost one hour of non-stop theatre speaking on the telephone with her departing lover. Reviews varied at the time and since but whatever the critique, the play represents Cocteau's state of mind and feelings towards his actors at the time: on the one hand, he wanted to spoil and please them; on the other, he was fed up with their diva antics and was ready for revenge. There has also been a long line of interpreters including , and in the play and , , , and in the opera. According to one theory about how Cocteau was inspired to write La Voix humaine, he was experimenting with an idea by fellow French playwright. Tribute to René Clair: I Married a Witch, Jean Cocteau 1945 , a set design for the. In his diary, Cocteau accused France of disrespect towards Hitler and speculated on the Führer's sexuality. Cocteau effusively praised Breker's sculptures in an article entitled 'Salut à Breker' published in 1942. This piece caused him to be arraigned on charges of collaboration after the war, though he was cleared of any wrongdoing and had used his contacts to his failed attempt to save friends such as. He also worked with on several projects and was a friend of most of the European art community. Cocteau's films, most of which he both wrote and directed, were particularly important in introducing the avant-garde into and influenced to a certain degree the upcoming genre. Cocteau is best known for his novel 1929 , and the films 1930 , 1946 , 1948 , and 1949. His final film, The Testament of Orpheus 1960 , featured appearances by Picasso and matador , along with , who also helped finance the film. In 1945 Cocteau was one of several designers who created sets for the. He drew inspiration from filmmaker while making Tribute to René Clair: I Married a Witch. Fashion bores me, but I am amused by the set and fashion placed together. It is a smoldering maid's room. One discovers an aerial view of Paris through the wall and ceiling holes. On the iron bed lies a fainted bride. Behind her stand several dismayed ladies. On the right, a very elegant lady washes her hands in a flophouse basin. Through the unhinged door on the left, a lady enters with raised arms. Others are pushed against the walls. The vision provoking this catastrophe is a bride-witch astride a broom, flying through the ceiling, her hair and train streaming. Jean Cocteau never hid his. He was the author of the mildly homoerotic and semi-autobiographical Le livre blanc translated as The White Paper or The White Book , published anonymously in 1928. He never repudiated its authorship and a later edition of the novel features his foreword and drawings. I have always loved the strong sex that I find legitimate to call the fair sex. My misfortunes came from a society that condemns the rare as a crime and forces us to reform our inclinations», the novel begins. In 1947 published a clandestine edition of by , featuring 29 very explicit erotic drawings by Cocteau. In recent years several albums of Cocteau's have been available to the general public. Cocteau had affairs with Jean Le Roy, , , , , among others. In the 1930s, Cocteau is rumoured to have had a very brief affair with Princess , the daughter of a and herself a sometime actress, model, and former wife of couturier. Cocteau's longest-lasting relationships were with French actors and , whom Cocteau formally adopted. Cocteau cast Marais in 1943 , 1946 , 1947 , and 1949. Cocteau died of a heart attack at his in , Essonne, France, on 11 October 1963 at the age of 74. His friend, French singer , died the day before but that was announced on the morning of Cocteau's day of death; it has been said that his heart failed upon hearing of Piaf's death. Actually, according to author , Cocteau was devastated after a breach with his longtime friend and patronness. According to his wishes Cocteau is buried beneath the floor of the Chapelle Saint-Blaise des Simples in Milly-la-Forêt. Monsieur, I have just received your letter and must reply despite my regret at being unable to explain the inexplicable. It is possible that my friendship for your son and my deep admiration for his gifts which are becoming increasingly apparent are of an uncommon intensity, and that from the outside it is hard to make out how far my feelings go. His literary future is of primary consideration with me: he is a kind of prodigy. Scandal would spoil all this freshness. An Impersonation of Angels: A Biography of Jean Cocteau. New York City: The Viking Press. Natalie Paley: Une princesse dechiree in French. Resting Places: The Burial Sites of More Than 14,000 Famous Persons, 3d ed. Jean Cocteau and his Films of Orphic Identity. Reviewing Orpheus: Essays on the Cinema and Art of Jean Cocteau. Biographie et iconographie de Pierre Bergé.